Josephine Boudreaux Collection, 1919-1931
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Brief Description: Contains copies of concertmaster Josephine Boudreaux's scrapbook, letters, postcards, concert programs, and photographs. The scrapbook was begun by a friend to document Miss Boudreaux's time in Europe.

Her correspondence contains letters from Grace Keller, Maurice Hewitt, Blanche Foley, William Reher, Lucien Capet, Father Garriga, Jeno de Hubay, Mary Fuller, Huberta Garwood, and to Vincent d'Indy. The letter from William Reher notes the inability to raise money in 1921 to reestablish the Houston Symphony.

Of particular note are news clippings pertaining to the reestablishment of the Houston Symphony Orchestra and programs for the Association's presentations of the Boudreaux String Quartet.

Twenty-eight photographs, stored on 2 compact disks, were scanned and removed to the Photography Collection. One compact disk remains in the collection, with photographs of the scrapbook pages. The scrapbook is fragile, and the construction such that it was not possible to photocopy every overlying clipping.
Held at:
Houston Symphony Archives
1220 Augusta Drive
Suite 250
Houston, TX 77057 2262
Phone: (832) 531-6702
Email: terry.brown [at] houstonsymphony.org
Record Series Number: MS/012
Created by: Boudreaux, Josephine (1896-1993)
Volume: 0.33 Linear Feet
Acquired: 10/22/2005.
Biographical Note for Boudreaux, Josephine (1896-1993): Josephine Boudreaux served as the Houston Symphony's concertmaster from 1931 until 1937. She was born in Crowley, Louisiana on May 28, 1898, the daughter of Philippe Mozart Boudreaux and Margarite Octavine Clotiaux.

She moved to Houston, Texas with her family at the age of seven. There she studied violin with Professor Emil S. Lindenburg (1850-1919). For the 1916-17 and 1917-18 seasons she was a young member of the Houston Symphony. She played violin with the orchestra at the Isis Theatre, part of the Saenger Amusement Company theater chain. She was part of the musician committee involved in a 1921 attempt to revive the Houston Symphony under conductor William Reher. After four years at the Isis, she raised enough money to study in Europe at the newly formed American Conservatory at Fountainebleau.

At the conservatory’s inaugural ceremony on she heard speeches by Walter Damrosch (1862-1950), president of the American Friends of French Musicians and originator of the Fontainebleau Conservatory, and by composer Camille Saint-Saëns (1835-1921), who died later that year. Among the other students of that first class was the young composer Aaron Copland (1900-1990).

By February of 1922 she was studying with Maurice Hewitt (1884-1971), a member of the Capet Quartet, as well as Lucien Capet (1873-1928). After her first summer, she won a scholarship for the second summer at the Conservatoire and continued her studies with Capet and Hewitt. She also studied for two years under composer Jenő Hubay (1858-1937), director of the national conservatory at Budapest, and studied ensemble there with Adolph Schiffer, head of the cello department, playing in a string quartet with Schiffer.

Miss Boudreaux arranged to study with Otakar Ševčík (1852-1934) in Pisek, Czechoslovakia in 1924. Her concerts in the succeeding years met with critical success.

In 1926 she returned to Paris, and after six years of studying abroad, she returned to Texas in 1927.

She embarked on a number public concerts beginning in March 1928, the first with pianist Patricio Gutierrez (1896-1985). Boudreaux announced her availability to teach violin and for professional appearances in the fall of 1928. During that period she was forming her chamber ensemble, the Houston String Quartet. By 1929 the group was called the Boudreaux String Quartet, whose other members included Octave Pimbert, second violin, Grace Keller, viola, and Athelstan R. Charlton, cello.

The Houston Symphony Orchestra Association engaged the Boudreaux String Quartet to perform a series of three chamber music concerts to be held in the homes of Association members for the 1929-1930 season. This partnership continued for the 1930-1931 season. These performances engendered a renewed interest in re-forming the Houston Symphony orchestra, which had been disbanded in 1918. With Josephine Boudreaux as concert master, the Houston Symphony was reconstituted, with two concerts in May of 1931.

Miss Boudreaux was enlisted as concertmaster for the upcoming season, and Uriel Nespoli became the new conductor. She was featured soloist several times during her career with the Houston Symphony, and widely praised for her part in the January 1936 performance of Saint-Saens’ Prelude to the Deluge, Dr. Alfred Hertz conducting.

Other conductors she served as concertmaster were Frank St. Leger (1890-1969) and Ernst Hoffmann (1899-1956), with whom she gave her last concert as concertmaster in January, 1937.

After leaving the orchestra she continued to teach generations of violinists. Miss Boudreaux died August 11, 1993 in Houston, Texas.
Subject Index
Boudreaux, Josephine, 1896-1993
Boudreaux String Quartet
Capet, Lucien, 1873-1928
Charlton, Athelstan R., 1869-1960
Garwood, Huberta Nunn, 1876-1954
Gutierrez, Patricio, 1896-1985
Hewitt, Maurice
Houston String Quartet
Houston Symphony
Hubay, Jenő, 1858-1937
Indy, Vincent d’, 1851-1931
Isis Theatre (Houston, Tex.)
Keller, Grace Lindenberg, 1881-1944
Lainhart, John
Lindenberg, S. Emil, 1850-1919
Nespoli, Uriel, 1884-1973
Pimbert, Octave
Reher, William, 1883-
Saint-Saëns, Camille, 1835-1921
St. Leger, Frank
Ševčík, O. (Otakar), 1852-1934
Genres/Forms of Material
Correspondence
News clippings
Photography
Scrapbooks
Languages of Materials
English
French
Rights/Use Restrictions: Sandra Matthews granted the Houston Symphony permission to reproduce the materials in October 2005.
Acquisition Notes: Sandra G. Matthews.  Mrs. Matthews is descended from family friends of the Boudreaux family. Her parents purchased a scrapbook, letters, postcards, concert programs, and photographs from the estate of Josephine Boudreaux.
Other Formats: This is a copy collection.